For years, both the republican and democratic parties have been polarising politics: forging solidarity by consolidating voter support, by systematically dividing voters on key, hot-button issues, thereby erasing the subtle hues from the perceivable spectrum.
Yet, in 2016, we are starting to see some of those colours flood back into perspective, and for good reason: a good director knows how to frame a shot using colour, contrast, and saturation to make the details he or she wants us to see stand out. And the billionaires back in Wall Street have invested a lot of money in the best directors and producers, in what is turning out to be the biggest blockbuster election of the millennium.
Before starting his campaign, corporate lobbyists knew that Bernie Sanders was a serious threat to the establishment, as he was always “one of those politicians not like the others”—most especially because, try as they might, no amount of green in the world could change the man’s colours. Here, everyone was either red or blue, and yet his ideas were so hot, he was near-ultraviolet, so the directors were tasked with coming up with a good counterpart to capture the audience’s attention, and that’s where Donald Trump came in.
Now we suddenly have near-infrared to balance out the ultraviolet, and the directors have skillfully framed both candidates to be unstable, and unviable; drawing an otherwise lackluster Hillary Clinton into perspective, as she is suddenly perceived to be the only sane choice among them.
The truth is, if you’ve been following her campaigns (that is, for the Senate and for President in 2008, and again 2016) you’d realise that she is neither red or blue, hot or cold, but lukewarm. Her temperature changes with the climate as she tailors her skin to match the local colour; and if you were to watch her when she’s not performing in the spotlight, you’d see that her act is really just a transparent façade intended to impress voters and throw off her adversaries. Where does she really stand? Where she has always stood: silhouetted behind the desk of the Oval Office.